Author

Anne Skyvington

Swimming Pools and Happenings in Coogee

The Mardi Gras festival for the Gay and Lesbian community (LGBTQ) occurred as usual in March, within stricter guidelines than in the past, because of Covid. Randwick Council showed great initiative in promoting a rainbow coloured walkway on the steps at Coogee Beach. It brightens up the area and makes a statement about supporting stigmatised peoples, including gays, lesbians, trans and First Nation peoples.

The Eora people were a vast and complex Indigenous group of family and kin relations who occupied the area where I live today in Coogee. Their territory spread from the Georges River and Botany Bay in the south to present Sydney Harbour and north to Pittwater at the mouth of the Hawkesbury River, then west along the river to where Parramatta is today. It is said that the men swam on the north end of Coogee Beach and the women at the south side. If this is true, it is mirrored by certain practices today.

We have four rock or tidal pools in Coogee, Giles’s at the north end of the beach, and the Ross Jones Memorial Pool at the other end. A little further along the coast is the Women’s Pool, built in 1886.

Wylie’s Baths are on the other side across the rocks from the Women’s Pool.

The Coogee Ladies Pool used to be known as McIver’s, named for Rose McIver, from a swimming family who ran it until 1922. It is the only pool in Australia granted a 1995 exemption under the Anti-Discrimination Act of 1977 to operate for women and children only. It’s not the same as the exclusive Australian Club on Macquarie Street, the country’s oldest gentlemen’s establishment, which has drawn prime ministers and wealthy males to join its hallowed walls, and has still not as yet taken firm steps to invite women to become full paying members.

Like Balmain’s Dawn Fraser Baths, several long-time swimmers had been entrusted with keys to open up early for pre-dawn swims and to close up on sunset. Sometimes Muslim women in burkinis attended and topless women liked to sunbathe there, taking refuge from perverts, who were the reason for a fence being erected by the council.

Controversy erupted recently after the new operators of these ladies baths stated on their website: “Only transgender women who’ve undergone a gender reassignment surgery are allowed entry.” The mind boggles at the idea of the committee women enforcing this!

There had been an authoritarian atmosphere at the pool of late, with lots of restrictions and a loss of the welcoming, leisurely atmosphere and spirit the place once had. Long term members wanted to give the pool back to the community. It had lost its soul and ethos under this management.

After a well-attended public meeting, the managing committee was ousted by the council, with a new interim president and committee elected to run it. The club’s website now says the pool “provides a safe place for women of many ages, religions, and backgrounds” and “a sanctuary of healing, acceptance, and security”.

Nearby Wylie’s Baths is also a wonderful place, with some of the spirit of the old Coogee’s Ladies Baths. Mina Wylie (1891 – 1984) was one of Australia’s first two olympic swimmers, along with Fanny Durack. There’s a statue of Mina Wylie on the top level of Wylie’s baths.

May 4, 2021 0 comment

Short Story Writing

The Night of the Barricades

I open my eyes onto a strange world into which I’ve stumbled as if by chance. All is new and filled with an alien radiance, muted colours, greys yet beautiful. Hippies are twanging their guitars along the Seine. Flower sellers and precious bookstall owners hawk their wares along the promenades above. The ancient cobblestones conceal the holographs of those trapped forever in bloodstained revolutions. Seduced at every turn. I think that this must be my spiritual home, on the opposite side of the earth to my birth place.

The Frenchman I met while travelling across the Channel offered me the use of his apartment for two weeks. Why not? I thought. My tourist’s trip through the Mediterranean countries can wait. Generous and eccentric to a fault, these French — opposite story to what I’d been told! I find his street in a Michelin Guide book I bought at the Gare du Nord: rue Servandoni, in the sixth arrondissement. One change and out at the metro station near the Seine.

It’s a steep climb up a creaking staircase to the small flat overlooking a courtyard at the back of the building.

February 15, 2021 0 comment

Novel Writing Writing

How I Created My Debut Novel

The Story of the Novel

Those in the know say Write about what you know. This could be my parents’ love story, with the boring bits left out.

My story takes place in a raw and natural setting called Karrana, where a stunningly attractive young woman is ready to break out of her universe and demand more from life. She’s clever and, like a bright chrysalis, just knows that she deserves more — like the cows know when it’s time to come home for milking. She meets the love of her life, or is it her polar opposite (?), at a victory dance. This novel takes place in an Australian country setting at the end of the Second World War in the Pacific. She falls pregnant in a moment of raw passion and rebellion. This throws her back into the very environment she is trying to break free from. This is a women’s story, so it’s about love, nature, pregnancies, child nurturing and dissatisfaction. And for those men who would understand and appreciate these themes. An accident to her first ‘golden child’ sends the young woman into a spin — a bit like a depression — followed by something akin to enlightenment, wherein passion leads her into a forbidden liaison with a sophisticated, refugee doctor in Sydney.

I won’t tell you the ending, but suffice it to say that it’s a bit complicated.

How I Wrote the First Draft

I wrote it chapter by chapter over a period of 18 months in 2013 – 2014, meeting in a group of four every fortnight, Randwick Writers, convened by Dina Davis. My first mistake was to engage an editor to do a structural edit when I had written the first draft. It was not ready to be assessed at this stage. After this, I put the manuscript away for some time and concentrated on blogging. I was also attending a larger writers’ group, and focusing on memoir writing. Later on, I worked some more on the story, while attending the Waverley Writers at the local library.

The Question of Structure

I had discovered that one of the hardest things about writing a novel is accessing knowledge and skills to do with structuring a longer work. That is, with the overall storytelling aspect. It begs the question of how to hold the whole novel in your sights, in order to appreciate or critique the structure and add significant bits and sacrifice others that might be scaffolding or padding.

Writers’ groups, unless there are novelists within who are aware of textuality, cannot usually help you with this aspect. Participants often focus on the smaller aspects to do with punctuation, words and grammar, all at the level of the sentence or the chapter.

It’s even harder to remember previous scenes or chapters of your colleagues’ novel manuscripts in a group. And, if you are writing a modern work, you need to consider recent changes that have taken place in this art form.

The Bigger Picture

I thought for a long while that it’s all about understanding Voice, Viewpoint, Point of View, Scenes and other issues, such as pace and narrative arc. And about writing a segment or a chapter from go to woe, that is, from the beginning to the end. But, after getting a grasp on such elements, and finishing the first draft, I was still searching for that elusive missing link, that was how to discover the overarching theme or rationale? for the novel I was writing. This became my next quest.

A Manuscript Assessment

A talented manuscript assessor at Writing New South Wales, requested, for a moderate sum, a couple of chapters of my manuscript, together with a synopsis, and then offered an hour-long Q&A session, where we worked together, asking and answering questions. That was what got me over the hump towards completion. After that, I knew where I was coming from and where I was headed. This was important for structural cohesion of the whole work; it enabled a final culling—and/or perfecting—of relevant motifs and metaphors. Within a relatively short period of time, I felt ready to publish the novel, so that it all hangs together. The missing link for myself, was knowing the right questions in relation to overall novelistic structure, to discover the ‘meaning’ of the work. After all, the novel is about many things, but this needs to be distilled into one or two sentences. Of course, if you plan the novel beforehand, you may not need this process, but there will be other different issues to confront.

Creating a Logline

I came across Jeff Lyons through Reedsy. Jeff is an expert in the art of storytelling. He states that you need a ‘logline’, which is a summary or premise, in one or two sentences, even before you start to write your novel. Of course, most people, and I am one of them, don’t work in this way. However, I have found that it is important to be able to do this, at some stage during the creative process. According to Lyons, the logline should include 7 parts: (i) a mention of the World of the novel (ii) the main Protagonist (iii) the Problem faced (iv) the Goal or Challenge for the protagonist (v) the personalised Opponent (vi) Choices or Decisions (vii) the Action taken by the protagonist.

The Logline or Premise of Karrana

In post-World War Two Australia, Bridie, a spirited young woman brought up on a dairy farm, surrounded by beauty and rawness, seeks romance and ultimate fulfilment. She hopes her choice of a mate, who she meets at the Karrana Victory Dance, will lead to a different future than that her mother, and, later on, her husband, want to keep her cosseted in. Her passionate nature, aided by fateful irony, deems that she demands more from life than nature alone; a family accident takes a hand in ensuring this.

July 4, 2020 0 comment

Writing

Randwick Writers’ Group: Sharing Writing Skills

A book about writing groups

Joining a writing group is very popular these days, at least in Anglo speaking countries. There are many different types of writing groups, just as there are various types of writers. Some writers simply wish to record memories for their family, children and friends to read. Writing correctly and clearly will be a main push for them. Others want to hone their skills towards the goal of writing a short story, or a longer genre, such as a novel or a modern memoir. They will need different skills, for example, knowledge of how to structure a particular genre.

I have been a member of three writing groups over the years, and most participants, when asked, expressed a wish to be published. One of the groups I was a part of was Randwick Writers Group, which has recently published a book that showcases work from six members in search of writing excellence. Each of the six participants found that being part of this group brought their writing up to a new level.

This book is unique in that it has followed members from the initial phase of setting up the group, until this point, five years later, when three members have published novels, and the rest are on the point of doing so.

If you would like to find out more about the workings of writing groups, this book is what you are looking for. As well as informational content, it also showcases the writings of the authors. It can be purchased through the publisher, Ginninderra Press or through online book stores, such as Amazon and other online bookstores. Enjoy!

Click on this link to have a peep inside the online digital version of the book.

https://www.book2look.com/book/TPULpSvFiE&bibletformat=epub

Purchase the digital book at Amazon Australia

May 7, 2020 0 comment

Publishing

5 Further Publishing Facts

NIELSEN BOOKSCAN

In December 2000 the situation for publishers began to change a little with the establishment of Nielsen BookScan, a local affiliate of US polling company A.C. Nielsen. Nielsen tracks book sales by barcode from around eighty-five per cent of all retail outlets selling books in Australia. Its main customers are publishing houses which, for an annual subscription fee of up to $100,000, are regularly emailed spreadsheets showing the best-selling books. These include details such as actual copies sold, average selling price and publisher across 140 genre categories and sub-categories.

Of the top 132 best-selling titles listed in the first two pages of the Nielsen top 5000 list for the five weeks ending 1 January 2005, 65 originated from Australia. Of these only four were literary novels: Tim Winton’s The Turning at number 9, Cloud Street at number 65, and Dirt Music at number 104. Winton is unique in Australian publishing, having both a literary and a large popular audience.

This is another problem for writers such as myself whose work might straddle the literary and commercial fields.

THE RISE OF THE GENRE PARADIGM

The appearance of genre fiction in bestseller lists with the advent of BookScan also granted it a new cultural and economic respectability. Genre fiction is highly author-and formula-driven and attracts reader loyalty, while its authors tend to generate new titles on a regular, often annual, basis, making genre fiction far more reliable than literary fiction from a publisher’s list-building point of view. The authors of popular fiction are also more likely to be granted celebrity status than literary authors, maximising their promotional potential.

The availability of data from companies such as BookScan means that publishers, for the first time, have access to accurate, up-to-the-minute sales figures that are transparent across the industry. No longer is it possible to fudge sales.

THE DECLINE OF LITERARY

Of the recent changes in Australian book publishing, among the most striking is the decline of the literary paradigm.

By the early 2000s almost no major Australian publisher was aggressively seeking or promoting new literary fiction at the forefront of their lists, and literary fiction was no longer the cornerstone of the industry’s self-perception. In the late 1990s Penguin Books, which had been at the forefront of the ‘cultural renaissance’ of the 1960s to 1980s period, first dropped its poetry list.

Literary fiction will otherwise become the preserve of independent or small publishers and self-publishing. The consolidation of publishing has resulted in a counter-movement from established independent publishers such as Text Publishing and Scribe, who have sought to exploit the potential of niche-audience mid-list titles as profit-making prospects with ‘a long tail’. Midlist is a term in the publishing industry which refers to books which are not bestsellers but are strong enough to economically justify their publication and likely, further purchases of future books from the same author.

In 2004 Text formed a partnership with Scottish publisher Canongate to maximise the value of both lists. New small presses such as Vulgar and Giramondo attempt to offer a home and space for aesthetic freedom an experimentation for mid-list authors disenchanted with mainstream publishers, such as Brian Castro now at Giramondo.

Confronted by the new market conditions, literary writers have begun to look at ways of reinventing themselves, either turning to a commercial model or else looking overseas.

The increasing difficulty of getting published has fostered an underground push for change and a search for new paradigms, reflected in the rise of alternative literary festivals, a live reading circuit, and self-publishing through make-your-own imprints such as Vandal Press and Cardigan Press both collectives that publish short story collections. Such developments point to how literature might become a do-it-yourself culture that will operate, for the time being, at least partly outside mainstream publishing culture, having cleared itself a space for experimentation and the development of new paradigms.

But publishers say there is no harder sell in the world of books these days than literary fiction.

OTHER OUTLETS

Meanwhile, writers around the world can bypass the traditional publishing process if they wish, and self-publish their work, enjoying unprecedented freedom and autonomy in delivering their work directly to readers.

You create an account with KDP and upload your manuscript, cover images and other required details onto Amazon’s KDP platform. https://kdp.amazon.com/ where you will find all the information you require for setting up and proceeding.

ONE SECRET IS the amount Amazon reports paying out in 2019 to indie publishers and authors through its Kindle Unlimited subscription program. That brings Amazon’s total payout for self-published authors up to $2.2 billion since 2012 when it launched this “pay as you read” program that’s much loved by readers around the world.

KINDLE UNLIMITED

Very few indie authors know what Kindle Unlimited is all about!

Kindle Unlimited is a ‘lending library’ that helps readers discover your books in dozens of countries, including the US, UK, Germany, Canada, Mexico, and beyond. Authors are paid by the number of pages read instead of outright eBook purchases.

Kindle Unlimited is just one of many great sales and marketing opportunities available at Amazon, and self-published authors have found great success using them to launch and promote their eBooks.

Establish a price for your book and list your book’s genre and categories. Choose keywords so readers can find your book, and supply more information, called metadata, about your book.

Your book, digital or printed, will go live on Amazon just a few hours after you’ve uploaded it correctly. Millions of potential readers can now find your book. It’s part of a relatively new distribution process called Print on Demand or POD. Amazon sends out royalty payments to authors each month of 12 to 20 percent of the sales price for the physical POD books and 70% for the eBook sales.

You need an ISBN (International Standard Book Number) to distribute your book through retailers globally. Amazon can provide one for you, or you can purchase your own from Thorpe-Bowker Identifier Services https://www.myidentifiers.com/

KBoards is a website devoted to all things Kindle. They’re a small family operation, but they’ve become the largest independent Kindle user site on the web.

April 1, 2020 0 comment