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Mythos

australian-magpie
Mythos

Bird Mythology: Crows and Magpies of Australia

Many people lump black birds (crows or ravens) and pied ones, such as the Australian magpie, all together, and think of them as “birds of ill omen” or some such. Of course, not everyone dislikes birds that are black. My brother recounts a legend in his family history book, A Little Bit of Irish, connected to our Kennedy ancestors from Northern Ireland. They were descendants of Anglo-Scottish Protestants in Ulster and came from the village of Brookeborough in County Fermanagh.

William writes: “Brookeborough was in the hands of the Maguire clan until a rebellion in 1641, when it was given to the Brooke family. Lady Maguire loved blackbirds, and the ancient name of the village was Aghalun, which means “field of the blackbirds.” (page 187). He goes on to tell of a legend from childhood, passed around in our family when we were kids. This was about a maiden aunt in Grafton, Henrietta Kennedy, who kept three pet magpies that roosted at night on the foot of her bed. My brother likes to think of that behaviour “as a resurgence of the spirit of Lady Maguire.”

I remember Aunty Ettie as an elderly, stern-looking woman who never smiled. Perhaps her affection for Australian magpies, when she was younger, was a sign of her inability to find friendship among humans. Her younger sister, my grandmother, had a niece, Kitty Walker, whose sad story I have recounted on this blog. When I tried to find Kitty’s unmarked grave, recently, in the company of her granddaughter, the doleful dirge of the crows seemed to be aware of our search.

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Bird Mythology: Crows and Magpies of Australia was last modified: January 18th, 2019 by Anne Skyvington
December 22, 2018 0 comment
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the-red-book
Mythos

C.G.Jung’s Active Imagination and the Dead

p.55-red-book-by-jung

Dr Stephens spoke well, contacting the audience and keeping my attention throughout. I was even inspired to ask a question at the end. In this lecture, the speaker introduced material from Jung’s biographical work Memories, Dreams, Reflections, and from the posthumously published The Red Book, a beautifully presented and hand inscribed book of Jung’s encounters with visionary figures during his ‘active imagination’  explorations.

This book was published in 2009 to much acclaim from Jungian scholars and psychologists, as well as followers of his analytical method of treatment.

p.56-red-book-by-jung

The speaker tried to give us a glimpse into Jung’s method of Active Imagination, which is based on the subject envisioning dialogues between oneself and different parts of the psyche. It is the method Jung used for descending into the unconscious where he contacted figures from the depths that formed the basis for all of his main writings on the Collective Unconscious and his later analytical psychological method for treating patients.

The Red Book is a large leather‐bound folio manuscript creatively crafted by Jung between 1915 and about 1930. It recounts and comments upon the author’s imaginative, visionary experiences after his break with Freud and the beginning of a period of  creativity and emotional dislocation. Despite being named as the most important work, and central in Jung’s oeuvre, it was not published or made otherwise accessible for study until 2009. It is an unfinished, personal and spiritual account that was, and still is, at odds with the atheistic and scientific direction of society. Jung’s family were concerned that it might not be accepted positively by the public, and kept it locked away until ten years ago.

Stephens based her lecture around significant dates relevant to Jung and this work:

1899-1900: Jung attended séances with his cousin Helly as medium, but abandoned them when he discovered anomalies and possible subterfuge in the procedures. However, he went on to write his doctoral thesis based on his witnessing these events, which were very popular at the time, especially in his hometown of Basle.

1902: His PhD was awarded from the University of Zurich for his thesis entitled: On the Psychology and Pathology of So-Called Occult Phenomena.

1907: His first meeting with Freud takes place in Vienna, when they converse for thirteen hours straight, having much in common. However, Jung’s different perspective on the implications of the Eros function, and his interest in the occult will, ultimately, separate them for good.

1909: Jung resigns his post at the Burgholzli Psychiatric Hospital and, during this year, he also visits the USA with Freud.

1911: His cousin Helly dies from tuberculosis in her early thirties. Jung is more and more interested in the psychology of the unconscious. The first Death Dreams begin the following year.

1913: The break with Freud occurs, and Jung’s first visions of ‘Rivers of Blood’ spreading throughout Europe begin. The war starts the following year, validating his intuitive visions. A period of personal uncertainty and disorientation begins for Jung. He explores what he calls the realm of the dead, through descending into the unconscious. However, when he asks Ezechial, one of the figures he meets in the underworld, if he might accompany him and others on a pilgrimage to the Holy Land, Ezechial replies: ‘You cannot join us; you have a body, but we are dead.’

Dr Stephens took us on a brief journey, exploring Active Imagination in a session with our eyes closed. Like Ezechial, she warns that getting in touch with the Unconscious Realm requires a mentor to lead us there, or at least the use of advanced meditation techniques. Utilising this method of Active Imagination, that Jung managed to perfect, he conjured up figures from the imagination that he was able to dialogue with. The Red Book, according to Stephen A. Diamond, is a very personal record of Jung’s complicated, tortuous and lengthy quest to salvage his soul, and a first-hand description of a process that would later fundamentally inform Jung’s approach to treatment that he called Analytical Psychology.

red-book-figure

One of Jung’s Figures illustrated in the Red Book

C.G.Jung’s Active Imagination and the Dead was last modified: January 29th, 2019 by Anne Skyvington
December 11, 2018 0 comment
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queen-members
Mythos

Bohemian Rhapsody the Movie

See and hear the original Queen “Live Aid” performance on YouTube (below). I love this music, so eclectic and passionate!

I don’t pretend to be a rock music expert, but I do remember Live Aid and the utopian wish we all had, at the time, to relieve African poverty forever. Dying children shown on television screens nightly. It was 1985 and my children were five and two at the time. Vain wish indeed! But I’m glad the concert happened, and that I took part in the heartfelt groundswell, led by Bob Geldof and rock stars of the time.

I loved the film Bohemian Rhapsody. Freddie Mercury, like his adopted name suggests, belongs to modern myths. Seated, recently, next to my partner in the uber comfortable lounges at the Palace Central theatre, I pressed buttons to recline my seat, and ordered drinks from the phones at my side-table.

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Bohemian Rhapsody the Movie was last modified: January 18th, 2019 by Anne Skyvington
November 24, 2018 2 comments
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echo-and-narcissus-Waterhouse
Mythos

What is your favourite myth?

A Myth is a story of the gods, a religious account of the beginning of the world, the creation, fundamental events, or exemplary deeds of the gods. The Swiss psychologist Carl Jung saw the ancient gods as archetypes of human behaviour, and  mythology as the personification of subconscious forces at work in the human psyche, mixed with real events. As such it is cultural.

Persephone

I have always felt empathy with the myth of Persephone, the maiden forced to live for a period in the underworld, separated from her mother, Demeter. See the post on this blog for more information.

Narcissus

Another favourite is Narcissus, because of its relatedness to current recognisable personality types, even within my own family!  Narcissus was the son of a river god and a nymph, but he rejected those who loved him, causing some to die for love of him.  Nemesis noticed his arrogance and attracted Narcissus to a pool, where he saw his own reflection in the water and fell deeply in love with it. Having developed an unrequited love that could never be reciprocated, Narcissus lost his will to live and committed suicide. In some versions of the myth, Narcissus stared into his reflection until he withered away. In all versions, his body disappears and all that is left is a narcissus flower.

Narcissus is the origin of the term narcissism, a fixation with oneself and one’s physical appearance or public perception. With the increasing importance of psychology as a discipline, Narcissism is today recognised as one of the main Personality Disorders by the Diagnostic and Statistical Manual of Mental Disorders. This is just one example of how ancient myths often relate on a deep level to problems that persist today.

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What is your favourite myth? was last modified: January 18th, 2019 by Anne Skyvington
October 14, 2018 4 comments
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pomegranate-seeds
Mythos

Persephone and Demeter

The Meaning of the Myth

Kristina Dryza is recognised as one of the world’s top female futurists, that is, scientists and social scientists whose specialty is futurology or the attempt to systematically explore predictions and possibilities about the future and how they can emerge from the present. She is also an archetypal consultant and published author.  In defining a myth, she referred to  James Hillman,  Joseph Campbell and Carl Jung, experts on mythology.  For the purposes of Kristina’s workshop, myths represent the human search for what is true, significant, and meaningful from our cultural past.

Her talk on Persephone and Demeter at the Sydney Jung Society recently, opened me up to some of the more meaningful concepts to do with this archetypal pair. Together, they represent the idea and experience of despair (Demeter) and shock (Persephone), when something untoward happens to you, for example a betrayal, a sickness, or a broken leg. It often comes like a jolt out of the blue.

In my case, it was a descent into hell at the end of a psychoanalytical journey, one which I’d felt impelled to take.

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Persephone and Demeter was last modified: January 18th, 2019 by Anne Skyvington
July 14, 2018 1 comment
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Anne Skyvington

Anne Skyvington is a writer based in Sydney who has been practising and teaching creative writing skills for many years. Learn about structuring a short story and how to go about creating a longer work, such as a novel or a memoir.

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About Me

About Me

Anne Skyvington is a Sydney-based writer and blogger. Read more...

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